NYC Opera

Mar. 7th, 2008 11:04 pm
ellenkushner: (Default)
[personal profile] ellenkushner
We saw Barishnikov at the opera again tonight. I guess we've got the same schedule; he was walking around at intermission about 5 feet away from us; so close I could have reached out my hand to introduce myself. As Delia put it, "That's two for two": we saw him last time we went to Lincoln Center for ballet - I think it was last June for her birthday, and there he was picking up his tickets in the line ahead of us. (Well, they ushered him through the line, actually, but there he was.) This time we walked out into the big lobby at intermission, and practically walked right into him. We locked eyes, for a moment, before politely looking past each other as good New Yorkers do. We were right behind him heading out afterwards, as well. He's tiny! Little & lithe and somewhat serious. Wearing a leather jacket, with 2 friends who didn't look at that exciting or excited. I hope he liked the show: it was Mark Morris' adaptation of King Arthur by Henry Purcell (& John Dryden, except Morris cut all the dialogue, so it was just all the great songs & instrumentals, well-played and -sung (Early Music style with no vibrato, [livejournal.com profile] larbalestier, don't worry!). I do love Mark Morris! He is my Other Brother (after Neil, of course - not that I've met Morris, but all his interviews and all his aesthetic choices so speak to me. He loves Lou Harrison's music, and Michelle Shocked, and baroque, and gender confusion.....
(The NYTimes review online also includes video performance, interviews and slide show, if you're curious.)

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