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[personal profile] ellenkushner
All those within the sound of my voice: RUN AND GET TICKETS TO ANTONY & CLEOPATRA at Theatre for a New Audience!! It's playing on 42nd St through May 2, and there are still TDF tix (if you're a member) up through April 27th. Best of all, if you're under 25, tix are only $10! I haven't seen Shakespeare this good in a long time - and this play is so rarely performed, it's a real treat. The acting is wonderful - they do things with the old lines that really let them breathe and speak afresh - and the director is a goddam genius. Plus he's added some magic: the God (who is also the Soothsayer) walks through the stage from time to time, and stirs the waters of a small pool in the middle with his staff. It's a tragedy, sure, but they're all so over the top that there's nothing for them but death, so I maintained my composure -- until the very end, when ol' Darko threw in an image that utterly dropped me. The Enobarbus was a joy - I loved that actor as LeBret in Kevin Kline's recent Cyrano, too - and Octavius Caesar was young, gorgeous, and properly nerveless and chilling. ([livejournal.com profile] deliasherman will probably blog and say something more intelligent about all this soon.)

And I'd forgotten that some of my favorite lines came from the last act: The bright day is done, and we are for the dark . . . and of course, I wish you joy o' th' worm! . . . And I'd forgotten that in IV, iii the God leaves Antony, leaves Alexandria - just as he does in the beautiful poem by Cavafy (here are a couple more translations - the best, I think, may be in the 2001 translation of all his work by Theoharis C. Theoharis, still too much in copyright to be posted here). The story supposedly came from Plutarch - and most of Shakespeare's details certainly did!

Leonard Cohen turned The God Abandons Anthony into an exquisite song called "Alexandra Leaving" - listen to it if you get the chance.

Date: 2008-04-10 11:19 am (UTC)
From: [identity profile] snakey.livejournal.com
I didn't know Alexandra Leaving was based on that - thanks for the info! :) Though now I reread it it's patently bloody obvious....
Edited Date: 2008-04-10 11:19 am (UTC)

Date: 2008-04-10 02:09 pm (UTC)
From: [identity profile] ellen-kushner.livejournal.com
Yeah - I had the album and loved the song, and after enough repetitions started noticing the actual lyrics and saying, "Hey - that sounds familiar...!" I was very proud of myself for figuring it out.

Date: 2008-04-10 01:45 pm (UTC)
From: [identity profile] vschanoes.livejournal.com
Some innocents 'scape not the thunderbolt!

Didn't I tell you? It's marvellous.

Date: 2008-04-10 02:10 pm (UTC)
From: [identity profile] ellen-kushner.livejournal.com
You did, Oscar, you did.

We might have to go see it again.

Date: 2008-04-10 02:11 pm (UTC)
From: [identity profile] vschanoes.livejournal.com
I loved how Octavian's voice cracked when he said "He calls me 'boy'!"

Date: 2008-04-10 03:05 pm (UTC)
From: [identity profile] ellen-kushner.livejournal.com
I love the way so many of Cleopatra's lines were imperious tossed-off comments. He really understands not making everything DRAMAtic - also the party scenes with all the guys being frat boy-ish cleaving to the text, making it seem clear that this was how it was meant to be all along.

Of course, he edited like crazy. But it made a streamlined, elegant, coherent piece.

And it still took a hell of a lot of Listening: as my beloved Shakespeare teacher said, "They were called AUDIENCE because they were taking it in AURALLY."

Date: 2008-04-11 02:53 pm (UTC)
From: [identity profile] krismcd59.livejournal.com
I've taught A&C twice this semester, to undergrads and grads -- it's about to supplant Lear as my Favorite Shakespeare Play. Shakespeare really didn't create a more sympathetic and detailed character study than this -- I always want to know about the boy who Shakespeare wrote the part for; in Donne's words, what a miracle [s]he was! Robert Nye wrote a delightful, bawdy, touching novel called "The Late Mr. Shakespeare," narrated by that boy actor, nicknamed Pickleherring, in his later years. Not to be missed.

Date: 2008-04-11 06:32 pm (UTC)
From: [identity profile] thumbelinablues.livejournal.com
I really enjoyed that show -- A&C is one of the (few!) plays I've never seen, studied, or even read, so I just about DIED when Eros stabbed himself instead of Antony. I'll always the remember the first time I was truly shocked by live Shakespeare....

The image at the end that 'dropped' you -- was it that thing at the very, very end, seconds before the lights go out?! (This reminds me, I wrote something right after I saw the show and squirreled it away...must post.)

catullus

Date: 2009-07-11 11:27 pm (UTC)
From: (Anonymous)
Leonard Cohen, probably following TS Eliot's dictum that 'Bad poets borrow; good poets steal' turned 'The God Abandons Antony' into a marvellous song but Cavafy seems to have totally usurped the original by the ancient Roman poet Catullus. Check it out.

Winky

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Date: 2011-11-01 02:46 am (UTC)
From: (Anonymous)
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