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"Who reads this shit?"
OK, in the actual joke it's "Who wrote it?" - but that's not my punchline for this post. See, it's like this:
On Saturday we went to a new play at Vital about the loving relationship of two adult sisters, one of whom gets cancer, and the other has to decide whether or not to pursue her mid-life dream of being a Writer, which involves taking a grueling grad school degree from a Bigshot Writer. She works hard, even beating out the hipster guy who wins prizes for stories that essentially come down to "Will my protagonist get laid?" (which, having now read a ton of submissions to various places, I am here to tell you is what a shocking percentage are about. Yawn. But that's another post....) . . . and her reward, her big marker of success, is that her mentor recommends her stuff to a prestigious literary Little Magazine. Which, after many edits & revisions, publishes her story. I suspect only the dying sister reads it. Though possibly she dies first.
The next day, Guy Kay (an old pal from our mutual Struggling Writer days) sends me this from Harper's (read it and laugh so hard you'll snork. I particularly like "This sentence is short, not because it is brief—which it is—but because it has few words.") Very cheering. But.
So here's the thing: What made me - and most people I know - want to be writers is that we loved to read. We read a lot. We wanted to write the kinds of books we loved to read.
Schools are full of grad students whose highest goal seems to be getting published in small literary magazines with minute circulations. But have they actually read those magazines themselves first? Did they love reading them?
I'm probably being an idiot here, but I've already written the post, and it seems a waste of time to delete it now. Also, it gives me a chance to offer you the link to the Colson Whitehead piece.
OK, in the actual joke it's "Who wrote it?" - but that's not my punchline for this post. See, it's like this:
On Saturday we went to a new play at Vital about the loving relationship of two adult sisters, one of whom gets cancer, and the other has to decide whether or not to pursue her mid-life dream of being a Writer, which involves taking a grueling grad school degree from a Bigshot Writer. She works hard, even beating out the hipster guy who wins prizes for stories that essentially come down to "Will my protagonist get laid?" (which, having now read a ton of submissions to various places, I am here to tell you is what a shocking percentage are about. Yawn. But that's another post....) . . . and her reward, her big marker of success, is that her mentor recommends her stuff to a prestigious literary Little Magazine. Which, after many edits & revisions, publishes her story. I suspect only the dying sister reads it. Though possibly she dies first.
The next day, Guy Kay (an old pal from our mutual Struggling Writer days) sends me this from Harper's (read it and laugh so hard you'll snork. I particularly like "This sentence is short, not because it is brief—which it is—but because it has few words.") Very cheering. But.
So here's the thing: What made me - and most people I know - want to be writers is that we loved to read. We read a lot. We wanted to write the kinds of books we loved to read.
Schools are full of grad students whose highest goal seems to be getting published in small literary magazines with minute circulations. But have they actually read those magazines themselves first? Did they love reading them?
I'm probably being an idiot here, but I've already written the post, and it seems a waste of time to delete it now. Also, it gives me a chance to offer you the link to the Colson Whitehead piece.
no subject
Date: 2009-02-01 06:02 pm (UTC)Could it be the LitFic career path, littered with those magazines few read, is just a shadow of the past? Once upon a time, many magazines published short fiction and that's how much of the population got their fiction fixes. It's not true anymore. Most magazines publish very little fiction. Short fiction isn't how most people GET their fiction fix. I'm not sure what the answer actually is, but I'd say the current situation ain't it. Like so much of publishing, it's clinging to past times.
I had a professor who recommended to us, instead of running down all the "little" magazines, picking up the current year's "America's Best Short Stories" to check the list of magazines in the back, and to submit only to those magazines. Why? Because we wanted our stories reviewed by the book's editors, so why submit to something those editors would not look at?
I'm going to go eat some cookies and think about my novel now.