I coulda told you that
Nov. 22nd, 2010 11:05 amIndeed, throughout history, male sopranos, whether in sacred music, opera or pop, have been prized as much for an ideal of angelic purity as for romantic heroism. The voice does not, as some might have it, appeal chiefly to gay men: much of pre-19th-century opera — or for that matter, Shakespearean comedy — is based on the understanding that what drives a woman wild is a boy who may or may not be a girl.
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Date: 2010-11-22 04:06 pm (UTC)BUH. *nods furiously*
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Date: 2010-11-22 04:51 pm (UTC)Sure does work for me!
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Date: 2010-11-22 05:15 pm (UTC)no subject
Date: 2010-11-22 05:15 pm (UTC)*nods* I'm sure Lola of the film "Kinky Boots" would agree.
Same goes for male altos/countertenors, as far as I can tell. (I'm put in mind of the recent use of countertenor solo as a part of the "Doctor Who" soundtrack in Tennant's last season.)
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Date: 2010-11-22 05:38 pm (UTC)His voice is just *incredible*
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Date: 2010-11-22 08:17 pm (UTC)no subject
Date: 2010-11-22 08:05 pm (UTC)no subject
Date: 2010-11-22 08:06 pm (UTC)I could also make note of a certain Morsel I dated for six months in 2007, where I spent the first half hour of observing this creature on the dance floor trying to make up my mind if this was a girl or a boy, and if it actually mattered to me in any case!
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Date: 2010-11-22 08:16 pm (UTC)What makes hara so appealing?
Date: 2010-11-22 09:09 pm (UTC)no subject
Date: 2010-11-23 04:17 pm (UTC)All the ladies swoon when the tenor sings; but the bass takes them home.
Suddenly, it all became clear.