ellenkushner: (gargoyle close)
[personal profile] ellenkushner
George Saunders:

I’d make the case that the whole fictional thrill has to do with this idea of the reader and the writer closely tracking, if you will. Like one of those motorcycle sidecars: when the writer leans left, the reader does too. You don’t want your reader three blocks away, unaware that you are leaning. You want her right there with you, so that even an added comma makes a difference. And I think building that motorcycle has to do with that very odd moment when the writer “imagines” his reader—i.e., imagines where the reader “is” at that precise point in the story. This is more of a feeling thing than an analytical thing, but all that is good about fiction depends on this extrapolation. Which is pretty insane, when you think of it. The writer, in order to proceed, is theoretically trying to predict where his complex skein of language and image has left his reader, who he has likely never met and who is actually thousands of readers. Yikes! Better we should do something easier, like join the circus.

As far as “considering the reader”—I’m sure it’s different for every writer. But for me, yes, I am always considering the reader. Although this is admittedly kind of odd: Which reader? On what day? In what mood? For me, that “reader” is actually just me, if I had never read the story before. That is, I’m trying to read/edit as if I have no existing knowledge of the story, no investment in it, no sense of what Herculean effort went into writing page 23, no pretensions as to why the dull patch on page 4 is important for the fireworks that will happen on page 714. I’m essentially just trying to impersonate a first-time reader, who picks up the story and has to decide, at every point, whether to keep going.

Date: 2011-06-13 03:46 am (UTC)
From: [identity profile] kateelliott.livejournal.com
Wow. This makes total sense to me.

Date: 2011-06-13 02:09 pm (UTC)
From: [identity profile] ellen-kushner.livejournal.com
Yeah; I get the sense you & I look at writing kind of the same way.

Date: 2011-06-14 10:16 pm (UTC)
From: [identity profile] kateelliott.livejournal.com
Very possible!

I'm going to be in NYC in 10 days, btw. For a week.

Date: 2011-06-15 02:20 am (UTC)
From: [identity profile] ellen-kushner.livejournal.com
Rats - we're headed down to Roanoke to teach at Hollins for 6 weeks. Enjoy!

Date: 2011-06-15 08:25 am (UTC)
From: [identity profile] kateelliott.livejournal.com
Have a great time! Sorry I'll miss you.

Date: 2011-06-13 03:56 am (UTC)

Date: 2011-06-13 04:25 am (UTC)
From: [identity profile] nancylebov.livejournal.com
Me too, though I don't do fiction.

Date: 2011-06-13 10:25 am (UTC)
From: [identity profile] lyonesse.livejournal.com
i am a nameless nebbish and mostly self-published. but when i write something big, i'm writing it with the person in the dedication as my intended audience.

one word-wrangler's tuppence...

Date: 2011-06-13 02:10 pm (UTC)
From: [identity profile] ellen-kushner.livejournal.com
Interesting!

Date: 2011-06-13 06:54 pm (UTC)
From: [identity profile] coffeeem.livejournal.com
That's the first fellow-writer I've seen to espouse my position on monkeys in art. I like that man.
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